Ornette Coleman died today.
I don’t have any idea how resonant his death is in American culture. I don’t know what pictures the words “Ornette Coleman” conjures up in your mind, if any. But I hope to add a little to that picture.
So mostly this blog is about tax. But I don’t spend all of my time thinking about tax: sometimes, I think about music. And, as 2014 comes to a close, I thought it would be worth laying out my top five albums of the year.
These aren’t necessarily the best albums of 2014—though my number one pick is, unequivocally, the best album of 2014—but they’re all great albums, and albums I find myself returning to over and over.[fn]
Of course, being a law professor, I have to add some complexity in. So there are six albums in my top five, plus three that might have made it only I haven’t listened to them enough, plus one that, while not in my top five, is probably the most interesting conceptual listen of the year that is also terrific fun to listen to.
And, without further ado: Continue reading